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The Way of the Baboons

Name: The Way of the Baboons
Director: Luigi Magni
Released: 1974
Duration: 110 min

Representation Score

8.0/10

Good

1974

Director

Luigi Magni

Runtime

110 minutes

Average Rating

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New Showbiz Analysis

The film serves as a critique of the Italian bourgeoisie and the lingering impacts of colonial power. It shifts the narrative focus from European stability to a post-colonial landscape. While the film lacks representation for LGBTQ+ identities and disability, it excels in challenging traditional gender roles through Fiorenza’s autonomy. The narrative primarily engages with racial power dynamics and the complexities of colonial legacies in Eritrea.

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Category Breakdown

Does The Way of the Baboons have LGBTQ+ representation?

Limited

The film does not include any explicit queer narratives or non-cisgender identities. It focuses on marital issues and family duties.

How does The Way of the Baboons portray gender?

Good

Fiorenza acts who play a significant role in driving the story, choosing to stay in Eritrea instead of returning to her domestic life in Rome. This choice challenges traditional expectations of women's roles.

How racially and ethnically diverse is The Way of the Baboons?

Good

The film explores the intersection of Italian colonial history and African realities. It highlights the interaction between the protagonist and Getulio, bridging different cultural identities.

How does The Way of the Baboons represent religion and culture?

Good

The story critiques Western structures by highlighting wealth gained through colonial exploitation. It questions European social norms and imperialist institutions, leaning towards an anti-colonial perspective.

Does The Way of the Baboons include disability representation?

Limited

A dying father serves as a plot catalyst, but there is no meaningful exploration of disability or neurodivergence.

Present on Screen

Fiorenza rejects her bourgeois Roman life for an autonomous African experience, demonstrating a significant role in driving the story.
The film addresses the complexities of post-colonial identity and critiques imperialist wealth.
It centers the story in an Eritrean landscape, challenging Eurocentric perspectives.

Limited or Absent

The film lacks explicit representation of LGBTQ+ identities or queer narratives.
Disability is used as a plot device without meaningful exploration of character's ability to drive the story.
There is little evidence of diverse neurodivergent or disabled perspectives within the cast.

Official Synopsis

In full marital crisis, Fiorenza, young Roman bourgeois, must travel to Eritrea to her dying father, former colonizer who made his fortune there. On the death of it, rather than return to Italy, Fiorenza decides to spend some time there, and met the extravagant Getulio, determined to make him discover Africa.

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