
Goblin
1993

2013
Director
James Plumb
Runtime
78 minutes
Average Rating
No ratings yetSynopsis
The abandoned home of Wilfred Butler, a wealthy but troubled man who committed suicide in 1987, has been willed to his grandson, Jeffrey. The house has sat in disarray since Wilfred's death, standing in the way of developers who want to turn the property into residential homes. Just before Christmas 2012, many years after Wilfred's death, Jeffrey and his lawyer appear in town to negotiate the sale of the property. But an Axe wielding maniac has set up residence in the house, and he doesn't take kindly to strangers.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks LGBTQ+ characters or narratives that critique heteronormativity. The plot focuses on a traditional inheritance conflict and a singular antagonist.
Gender Representation
The narrative centers on a male lineage and a male antagonist. Primary plot drivers are framed through a traditional masculine lens without subverting gender hierarchies.
Racial & Ethnic Diversity
The setting implies a homogeneous social structure typical of small-town horror. There is no mention of a diverse or non-Anglo-Saxon majority cast.
Religious & Cultural Diversity
The story utilizes Western tropes regarding private property and inheritance. It operates within a standard capitalist framework rather than critiquing Western institutions.
Disability Representation
There is no mention of characters with visible or invisible disabilities. The deceased character's troubled history serves as a common, non-representative horror trope.
Strengths
Areas for Improvement
AI Analysis
Silent Night, Bloody Night: The Homecoming operates as a conventional slasher film that adheres strictly to established genre tropes. The narrative is driven by a male-centric lineage and a singular male antagonist, leaving little room for diverse perspectives. The film lacks intersectional casting and fails to engage with social hierarchies or systemic critiques. Instead, it focuses on localized conflicts regarding property and inheritance within a seemingly homogeneous social environment. Ultimately, the work functions as a traditional genre piece. It prioritizes standard horror mechanics over the inclusion of diverse identities or the deconstruction of social norms.

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