
The Bad Guys
2022

2025
PGDirector
Pierre Perifel
Runtime
104 minutes
Average Rating
No ratings yetSynopsis
The now-reformed Bad Guys are trying (very, very hard) to be good, but instead find themselves hijacked into a high-stakes, globe-trotting heist, masterminded by a new team of criminals they never saw coming: The Bad Girls.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
Queer actors voice key roles, yet the narrative centers exclusively on a heterosexual romance. The absence of same-sex intimacy or non-heteronormative arcs among protagonists limits narrative agency for LGBTQ+ identities.
Gender Representation
Female antagonists drive the conflict with superior intellect, inverting traditional hierarchies. Male protagonists appear reactive and inept, while women hold strategic power, challenging conventional gender dynamics effectively.
Racial & Ethnic Diversity
A racially diverse ensemble avoids stereotypical caricatures, defined instead by species and personality. This normalization of multi-ethnic voices in leading roles within a family comedy represents meaningful, well-developed inclusion.
Religious & Cultural Diversity
The film critiques authority and frames reformation as a personal journey rather than a moral imperative. It remains a lighthearted comedy that avoids radical institutional deconstruction, aligning with moderate secular values.
Disability Representation
No characters with visible or invisible disabilities are prominently featured. The focus on species-based traits excludes human disability experiences, resulting in a neutral score due to the absence of specific representation.
Strengths
Areas for Improvement
AI Analysis
The film excels in racial and gender representation by normalizing a diverse cast and inverting traditional power dynamics. Female characters drive the plot with agency, while the ensemble avoids racial stereotyping through anthropomorphic storytelling. However, LGBTQ+ representation remains limited to casting without narrative integration. The central romance is strictly heterosexual, and no queer arcs are explored. Similarly, disability representation is entirely absent, focusing solely on animal traits rather than human experiences. Culturally, the film maintains a moderate stance, critiquing authority without radical subversion. The overall profile is competent and inclusive, balancing progressive gender and racial elements with a lack of deeper identity exploration in other categories.
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