The film adheres to established zombie-comedy tropes. There is no evidence of non-cisnormative identities or narratives that critique heteronormativity.

Character roles appear dictated by survival utility rather than subverting gender hierarchies. There is no documented evidence of women exercising superior agency.

As an Argentine production, the film avoids Hollywood's homogeneous white tropes. It reflects a regional identity rather than active progressive inclusion.

The setting depicts a collapse of traditional social structures and institutional authority. This appears to be a genre requirement rather than a targeted critique.

Physical impairment is used primarily as a horror element through the undead state. The film lacks meaningful representation of neurodivergence or disability with agency.