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House at the End of the Street

Name: House at the End of the Street
Director: Mark Tonderai
Released: 2012
Duration: 101 min

Representation Score

3.6/10

Limited

2012

PG-13

Director

Mark Tonderai

Runtime

101 minutes

Average Rating

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New Showbiz Analysis

The film functions as a conventional psychological thriller that prioritizes genre clichés over diverse storytelling. While it gives a leading role to the female protagonist, it fails to engage with broader social critiques. The production adheres to traditional suburban archetypes, resulting in a narrative that feels safe and predictable within the established Western thriller framework.

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Category Breakdown

Does House at the End of the Street have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters and focuses on traditional heterosexual relationships and family structures.

How does House at the End of the Street portray gender?

Fair

The story centers on the female protagonist, Elissa, who drives the plot but is often portrayed as isolated and unstable.

How racially and ethnically diverse is House at the End of the Street?

Limited

The casting is predominantly white, reflecting a suburban setting without challenging the standard Western social environment.

How does House at the End of the Street represent religion and culture?

Limited

The story operates within traditional Western social structures, focusing on the breakdown of parental authority without critiquing cultural institutions.

Does House at the End of the Street include disability representation?

Limited

Themes of mental health are used primarily as plot devices to increase suspense, lacking a nuanced or empowering portrayal of psychological conditions.

Present on Screen

The film provides a significant role in driving the story to its female protagonist, Elissa.
The plot is driven by female perception rather than male intervention.

Limited or Absent

The casting lacks racial and ethnic diversity, favoring a homogeneous white demographic.
There is no meaningful representation of LGBTQ+ identities or queer-coded subtext.
Mental health themes are used as suspense tools rather than nuanced character studies.
The narrative fails to challenge traditional Western social or cultural institutions.

Official Synopsis

A mother and daughter move to a new town and find themselves living next door to a house where a young girl murdered her parents. When the daughter befriends the surviving son, she learns the story is far from over.

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