You are here:

Men in the City 2

Name: Men in the City 2
Director: Mark de Cloe
Released: 2015
Duration: 90 min

Representation Score

3.1/10

Limited

2015

Director

Mark de Cloe

Runtime

90 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Men in the City 2 operates as a typical romantic comedy centered around male character arcs. The narrative focuses on the romantic pursuits of male characters, limiting the range of diverse perspectives shown on screen. While the film tries to challenge traditional romantic clichés and fairytales, it lacks the specific character details needed to confirm meaningful representation of LGBTQ+ identities or diverse racial backgrounds. The focus remains on a standard, non-specialized genre approach. Ultimately, the film lacks verifiable evidence of diverse casting or the subversion of systemic hierarchies, resulting in a narrow demographic focus.

Watch this, not that →

Category Breakdown

Does Men in the City 2 have LGBTQ+ representation?

Fair

The film does not include any clear depictions of LGBTQ+ identities or relationships. While the romance genre often explores various types of relationships, there is no specific confirmation of LGBTQ+ stories in this film.

How does Men in the City 2 portray gender?

Fair

The story primarily focuses on male characters and their perspectives. There is little detail about the roles of female characters or how the film challenges traditional gender roles.

How racially and ethnically diverse is Men in the City 2?

Limited

The film does not provide any information about the racial or ethnic makeup of the cast. There is no clear indication of diverse casting or non-Anglo-Saxon majority casting.

How does Men in the City 2 represent religion and culture?

Limited

The film hints at a more cynical view of social institutions, possibly moving away from idealized romantic structures. However, specific cultural elements remain unverified.

Does Men in the City 2 include disability representation?

Minimal

There is no documented evidence of characters with visible or invisible disabilities in the film.

Present on Screen

The film attempts to challenge traditional romantic clichés and fairytales.

Limited or Absent

The narrative lacks visible evidence of racial, ethnic, or LGBTQ+ diversity.
The focus on male protagonists limits the representation of women's ability to drive the story.
There is no documented inclusion of characters with disabilities.

Official Synopsis

A lot has changed in the lives of our men, but in the sequel to Men in the City, finding their true love turns out to be everything but a fairytale. So the search continues in full swing.

How are these scores produced? →