
Troll
2022

Representation Score
Excellent
2025
TV-14Director
Roar Uthaug
Runtime
102 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Troll 2 uses the monster movie genre to question historical erasure and colonial dominance in Norway. By portraying trolls as oppressed minorities, the film creates a powerful allegory for racial and religious exclusion. This framework allows for a nuanced exploration of power dynamics that goes beyond traditional hero-villain binaries. The casting choices support this thematic depth. Featuring actors like Sara Khorami and Duc Mai-The in central roles challenges the homogeneity often found in Nordic cinema. Nora Tidemann serves as a strong female lead who drives the plot through intellect and resilience, subverting gender hierarchies typically present in the action-fantasy genre. While the film excels in using fantasy elements to critique historical oppression, its primary focus remains on the human-troll dynamic. This limits explicit exploration of other underrepresented identities, though the metaphorical depth regarding inclusion and social justice provides a significant step forward for contemporary Nordic storytelling.
Category Breakdown
Ine Marie Wilmann portrays a resilient, intellect-driven protagonist, avoiding romantic clichés. The film focuses on underrepresented trolls, creating a space for queer coding and understanding diverse identities, prioritizing depth over assumptions about straight relationships.
Nora Tidemann subverts the damsel-in-distress cliché as a strategist and survivor. The film critiques patriarchal history embodied by King Olaf, while supporting male characters like Major Kris who collaborate rather than dominate, reflecting more balanced gender dynamics.
Sara Khorami and Duc Mai-The's casting reflects Norway’s multicultural reality beyond including someone from a minority group without giving them real depth. Trolls serve as an allegory for racial minorities persecuted by colonial forces, challenging the homogeneity typical of Nordic folklore adaptations.
The film critiques Christian hegemony by depicting King Olaf as an oppressor of indigenous trolls. It promotes a secular, nature-centric spirituality that values mythological beliefs over dominant religious dogma, fostering critical historical perspectives.
Trolls' underground existence and forced hiding metaphorically represent underrepresented communities facing systemic barriers. The narrative emphasizes healing and reintegration, portraying difference as something to be respected rather than pitied.
Present on Screen
Limited or Absent
Official Synopsis
When a dangerous new troll unleashes devastation across their homeland, Nora, Andreas and Major Kris embark on their most perilous mission yet.

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