You are here:

Going All the Way

Name: Going All the Way
Director: Mark Pellington
Released: 1997
Duration: 110 min

Representation Score

2.3/10

Limited

1997

Director

Mark Pellington

Runtime

110 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Going All the Way is a period-specific character study that focuses on individual emotional journeys rather than disrupting societal norms. The film adheres to the social conventions of its mid-century setting, emphasizing the challenges of adjusting to civilian life. While the film delves into the complexities of post-war readjustment, it remains within the boundaries of conventional romantic and coming-of-age dramas. The narrative structure relies on the social expectations of the era rather than progressive reinterpretations. Ultimately, the film's narrow focus on traditional social norms results in a limited portrayal of the American experience.

Watch this, not that →

Category Breakdown

Does Going All the Way have LGBTQ+ representation?

Limited

The film follows traditional romantic storylines typical of its time. It does not include characters with non-traditional gender identities or explore non-conventional sexual relationships.

How does Going All the Way portray gender?

Fair

Female characters such as Marty and Gale Ann mainly act as catalysts for male emotional development. The story emphasizes personal conflicts rather than challenging gender roles.

How racially and ethnically diverse is Going All the Way?

Limited

The setting depicts a mostly white, mid-century American environment. The cast lacks diverse representation to challenge the social norms of the time.

How does Going All the Way represent religion and culture?

Limited

The story unfolds within a traditional Western context. It centers on individual struggles without critiquing religious or patriotic institutions.

Does Going All the Way include disability representation?

Minimal

There are no characters with physical or cognitive disabilities mentioned in the narrative.

Present on Screen

The film provides a focused character study of veterans adapting to civilian life.

Limited or Absent

The narrative lacks racial and ethnic diversity, reflecting a homogeneous social circle.
Female characters are confined to traditional romantic roles and support male protagonists.
The film does not represent LGBTQ+ identities or non-traditional gender narratives.
The story offers minimal critique of the social structures of the mid-20th century.

Official Synopsis

Korean War--era veterans and ex-classmates "Gunner" Casselman and "Sonny" Burns reunite upon their return home. Gunner, who spent the war years abroad, is trying to convince his mother that his gal Marty is good enough for him, while Sonny, who was stationed stateside, is torn between loyal Buddy and tempting Gale Ann. As they commiserate, the men realize that they're outgrowing the lives they lived before the war.

How are these scores produced? →