You are here:

Deathly Presents

Name: Deathly Presents
Director: Ben Franklin, Anthony Melton
Released: 2015
Duration: 6 min

Representation Score

1.4/10

Minimal

2015

Director

Ben Franklin, Anthony Melton

Runtime

6 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Deathly Presents operates within a conventional horror framework, relying heavily on established seasonal iconography. The narrative centers on traditional Christmas clichés without exploring multi-layered identities or systemic critiques. Without diverse casting or character's ability to drive the story, the film functions as a standard genre piece. It does not disrupt traditional social hierarchies or move beyond baseline representation. Ultimately, the production prioritizes established horror archetypes over progressive storytelling or cultural deconstruction.

Watch this, not that →

Category Breakdown

Does Deathly Presents have LGBTQ+ representation?

Minimal

The film does not include any characters with LGBTQ+ identities or non-straight gender identities. The story follows traditional horror themes centered around the holiday season.

How does Deathly Presents portray gender?

Fair

The film shows moderate gender representation but lacks evidence of female characters having a significant role in driving the story. The story does not challenge traditional male leadership roles.

How racially and ethnically diverse is Deathly Presents?

Limited

There is no mention of characters of color or diverse ensemble dynamics. The film follows typical casting practices for low-budget horror films.

How does Deathly Presents represent religion and culture?

Limited

The story relies heavily on traditional Western seasonal motifs like Christmas and stockings. It does not offer any critique of Western institutions or secular perspectives.

Does Deathly Presents include disability representation?

Minimal

The film does not document any characters with visible or invisible disabilities. There is no indication of casting actors with lived experiences of disability.

Present on Screen

The film effectively uses recognizable seasonal iconography that aligns with horror genre conventions.

Limited or Absent

The narrative lacks multi-layered character development and ability to act for underrepresented groups.
There is a notable absence of diverse racial, gender, and LGBTQ+ representation.
The film fails to subvert traditional Western cultural motifs or systemic hierarchies.

Official Synopsis

It might drop down your chimney, it might mysteriously fill your stockings, it may even slip itself under your tree, but be sure... this Christmas… EVIL IS BACK.

How are these scores produced? →