
Kalt ist die Angst
2017

Representation Score
Limited
2015
Director
Alain Tasma
Runtime
94 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Nine Days in Winter is a traditional character study that prioritizes psychological exploration over social disruption. The narrative focuses on a loner's reconciliation with his past and family legacy through a localized, homogeneous lens. The film adheres to conventional storytelling norms, centering on individual emotional processing. It does not utilize its medium to challenge established cultural, gendered, or systemic power dynamics. Ultimately, the work functions as an intimate European drama. It lacks the multi-layered breadth or progressive identity politics required to move beyond a standard, traditional narrative structure.
Category Breakdown
The film focuses on the protagonist's internal journey and family history. It does not include explicit LGBTQ+ identities or critiques of the assumption that everyone is straight or cisgender, staying within traditional frameworks.
The story centers on a male protagonist navigating grief. While Mado provides emotional ability to act, the film follows a conventional dramatic structure without challenging traditional gender hierarchies.
Set in Brittany, the film features a homogeneous cast. The narrative focuses on local history, lacking significant racial or ethnic diversity.
The film explores grief and the dissolution of the nuclear family. It remains grounded in traditional European sensibilities without promoting institutional critiques.
The setting includes a hospital, but there is no evidence of disability or neurodivergence being portrayed with meaningful depth.
Present on Screen
Limited or Absent
Official Synopsis
The writer Aurélien is in hospital and learns that his parents have died in a car accident. The loner reluctantly travels to Brittany to arrange the sale of his parents' house. He can't help the memories that the small town evokes in him. Is Aurélien really the black sheep of the family? On the coast in Saint-Lunaire, Mado, an old family friend, upsets his certainties. His former best friend Hervé, a real estate agent in charge of selling the house, surprises him with a discovery.

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