
The Centipede Is Tap Dancing
1977

Representation Score
Fair
1997
Director
Michel Deville
Runtime
102 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Michel Deville’s film emphasizes stylistic eccentricity and surreal social dynamics over gritty realism. By avoiding rigid social hierarchies, it achieves a moderate level of progressiveness. However, it remains anchored in a traditional European cinematic framework, limiting racial depth and failing to explore deeper cultural or religious themes.
Category Breakdown
The film centers on a closed community with stylized interpersonal dynamics but does not depict explicit LGBTQ+ identities or same-sex intimacy, sticking to traditional romantic frameworks.
Gender hierarchies are somewhat challenged through fluid and playful power dynamics between characters. The film avoids rigid, traditional leadership roles by emphasizing whimsical social maneuvering.
The plot introduces post-colonial elements using an African statuette as a catalyst, but the cast remains predominantly European, focusing on European characters rather than African ability to act.
The setting critiques social structures through idiosyncratic rules, operating within a stylized, upper-class milieu without delving deeply into anti-Western or religious themes.
There are no prominent depictions of physical or neurodivergent disabilities. No such identities serve as central plot devices or character arcs in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
A priceless statuette "Dancing God" is transfered from Africa to France. Scoundrels of all stripes are dreaming of steeling it. The most clever of them are trying to replace the original with the copy. Chases, adventures, breathtaking stunts, shootouts - life is not worth a penny, when the priceless treasure is on stake.

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