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Persian Series #11

Name: Persian Series #11
Director: Stan Brakhage
Released: 2000
Duration: 1 min

Representation Score

1.8/10

Minimal

2000

Director

Stan Brakhage

Runtime

1 minutes

Average Rating

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New Showbiz Analysis

Stan Brakhage’s *Persian Series #11* is a work of pure abstraction that operates outside the realm of traditional identity politics. It rejects character arcs, dialogue, and structured plots in favor of exploring color and light. As the film lacks human subjects, it cannot represent specific demographics or social identities. Its diversity lies in its radical departure from the conventions of narrative cinema and its rejection of the need for a protagonist. Though it does not actively promote progressive social values through character actions, its formalist approach challenges standard cinematic expectations. It provides a sensory experience that sidesteps traditional social hierarchies.

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Category Breakdown

Does Persian Series #11 have LGBTQ+ representation?

Minimal

Since there are no human characters or interpersonal dynamics, the film does not depict any LGBTQ identities or orientations.

How does Persian Series #11 portray gender?

Minimal

The film focuses solely on abstract forms and does not include any human characters, thus avoiding traditional gender hierarchies but lacking any portrayal of gendered roles or ability to act.

How racially and ethnically diverse is Persian Series #11?

Fair

Although the title hints at a specific cultural theme, the film presents itself as a color-blind abstraction without any specific ethnic imagery or cultural references.

How does Persian Series #11 represent religion and culture?

Fair

By breaking away from typical Western narrative structures, the film creates a secular, purely aesthetic experience that avoids any religious or nationalist symbolism.

Does Persian Series #11 include disability representation?

Minimal

With no characters present, there is no opportunity to explore themes related to neurodivergence or physical disabilities. The focus remains on sensory perception rather than specific disability themes.

Present on Screen

Challenges the traditional reliance on human-centric storytelling
Disrupts conventional Western cinematic expectations of narrative and causality
Presents a radical departure from standard narrative cinema

Limited or Absent

Lacks portrayal of gendered roles or ability to act
Does not depict sexual orientation or gender identity
Lacks specific ethnic imagery or character-driven storytelling

Official Synopsis

Persian Series #11 begins with a "window" of yellow paint adrift in the full frame of multicolored paint-shapes. Alternating black-space/white-space exists as a back-drop for slashes and curves of color - reds and blues shifting to red-blue-green, then yellow, etc. slashed in black.

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