
Lipsett Diaries
2010

Representation Score
Excellent
2021
Director
Tulapop Saenjaroen
Runtime
17 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Squish! is a sophisticated experimental film that replaces traditional character-driven stories with a meditation on fluid identities. It uses abstract, liquid forms to challenge the idea of a stable, fixed self. The film stands out by centering Thai animation history and integrating mental health as a structural element rather than a plot device. This approach provides a meaningful departure from Western-centric storytelling norms. While the film lacks overt, label-based representation, its formal commitment to deconstructing social and biological hierarchies offers a progressive, metaphorical exploration of identity and movement.
Category Breakdown
The film doesn't include explicit romantic pairings or identity labels. However, it explores the idea of creating and changing identities as a metaphor for fluidity and the challenge to rigid social norms.
By removing human figures, the film avoids traditional gender roles. Liquid forms and shifting energies replace masculine or feminine archetypes, subtly challenging the gender binary through abstraction.
Rooted in Thai animation history and contemporary culture, the film offers a significant departure from Western-centric traditions. It centers a Southeast Asian aesthetic to challenge the dominance of Western storytelling.
The narrative focuses on internal psychological states rather than external religious institutions. It views social structures as flexible and open to deconstruction rather than fixed and sacred.
The film incorporates the experience of depression into its formal structure. It treats mental health as a valid perspective rather than a condition to be cured.
Present on Screen
Limited or Absent
Official Synopsis
Squish! is a meditation on the self through lurid and liquid forms; filtered through both old and foreseeable technology informed by Thai animation history and contemporary culture, and a constant process of constructing and deforming new selves to simulate ‘movements’. By extrapolating and redefining the terms of ‘movement’, be it through psychological, physical or political understandings, the work interweaves the medium of animation with a state of depression.

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