
The Last Word
2017

2019
PG-13Runtime
91 minutes
Average Rating
No ratings yetSynopsis
After moving to a retirement community, loner Martha eventually befriends her fun-loving neighbor, Sheryl, and forms a cheerleading club for young-at-heart seniors, though they face roadblocks along the way.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit queer romantic arcs or non-cisnormative gender identities. While it focuses on female social connections, there is no visible LGBTQ+ representation in the narrative.
Gender Representation
Martha and Sheryl drive the story, centering female agency in a demographic often sidelined. This focus disrupts traditional hierarchies that typically prioritize youth or male leadership.
Racial & Ethnic Diversity
The narrative provides no details regarding the ethnic composition of the cast. Without evidence of diverse casting, the film appears to follow conventional, homogeneous patterns.
Religious & Cultural Diversity
The story subverts aging norms by framing senior activities as a form of rebellion. It challenges Western views of elderhood as a period of social withdrawal.
Disability Representation
The film addresses the physical realities of aging but lacks focus on neurodivergence or visible disabilities. It prioritizes social reintegration over disability politics.
Strengths
Areas for Improvement
AI Analysis
Poms succeeds in elevating the visibility of older women, using the friendship between Martha and Sheryl to challenge ageist stereotypes. By centering female agency, the film provides a refreshing look at social vitality in retirement communities. However, the film lacks intersectional depth. There is no evidence of racial diversity, queer identities, or meaningful disability representation, which limits its impact as a progressive narrative. Ultimately, while it disrupts age-based hierarchies, the production remains a narrow character study rather than a broad, inclusive exploration of diverse identities.

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