
Pen Point Percussion
1951

Representation Score
Minimal
1951
Director
Gerard Holdsworth, Michael Stainer-Hutchins
Runtime
10 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Story of Time is a pedagogical documentary designed for scientific instruction rather than social commentary. Its primary goal is to trace the mechanical evolution of timekeeping, from ancient sundials to modern complex timepieces, using stop-motion animation. Because the film focuses on inanimate objects and technical history, it lacks the character's ability to drive the story necessary to address identity, gender, or social hierarchies. The narrative structure is built around the transmission of scientific facts rather than the exploration of human experience. Ultimately, the film operates within a traditional Western framework of progress. It serves as a historical survey of human ingenuity but offers no multi-layered complexity or representation of diverse social identities.
Category Breakdown
The film focuses entirely on the evolution of timekeeping instruments. There are no character-driven narratives or interpersonal relationships to explore LGBTQ+ identities.
The subject matter centers on inanimate objects like sundials and mechanical devices. This lack of human ability to act prevents any meaningful evaluation of gendered power dynamics.
The narrative follows a Western-centric technological progression. While it depicts tools from various ancient civilizations, it lacks intentional representation of the diverse human identities behind them.
The film adheres to a traditional, linear historical framework. It prioritizes scientific and mechanical progress through a standard Western educational lens without exploring relativistic moral frameworks.
As a technical documentary about measurement and mechanics, the film contains no characters. Consequently, there is no representation of physical disabilities or neurodivergence.
Present on Screen
Limited or Absent
Official Synopsis
Mankind's numerous ways of measuring the passage of time through history are depicted through stop-motion animation, from ancient sundials to simple mechanical devices, up through complex modern timepieces.

1951

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