
There's That Woman Again
1938

Representation Score
Limited
1937
Director
Tim Whelan
Runtime
73 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Smash and Grab is a product of 1937 studio-era filmmaking, adhering closely to the social hierarchies of its time. The film's primary strength lies in its subversion of gender clichés, offering a more capable female lead than was standard for the period. However, the film remains highly homogeneous. It lacks racial, ethnic, or LGBTQ+ diversity, focusing instead on a narrow, Western-centric social group. The narrative serves to uphold existing legal and property-based institutions without critique.
Category Breakdown
The film doesn't include any LGBTQ+ characters or stories that challenge the idea that everyone is straight or cisgender. The main plot revolves around a traditional marriage between the investigator and his wife.
Alice breaks the typical 'damsel in distress' stereotype by being portrayed as highly capable and elegant. She acts as an essential partner to her husband rather than a passive figure.
The cast appears predominantly white and Anglo-Saxon, reflecting the era's production standards. There is no evidence of ethnic diversity within the primary character arcs.
The story reinforces traditional institutions and capitalist structures by focusing on the protection of prestigious jewelers. It lacks any deconstruction of Western social norms.
There is no mention of characters with visible or invisible disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
John Forrest, an insurance investigator with a weakness for model railways, is on the trail of a gang of smash-and-grab thieves targeting Europe's most prestigious jewellers. As the chase leads him to Ireland, Forrest finds he needs help and who better to call upon than his impossibly elegant, highly capable wife, Alice?

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1935
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