
28 Hotel Rooms
2012

Representation Score
Fair
2014
Director
Felipe Braga
Runtime
82 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Latitudes explores the transient nature of modern romance through a global lens. It deconstructs traditional domestic hierarchies by focusing on nomadic, non-committal connections rather than settled family structures. While the film offers a progressive critique of conventional social norms, it lacks explicit evidence of characters who reflect more than one aspect of diversity. The diversity present is largely structural, derived from the international settings rather than confirmed character identities. Ultimately, the film functions as a study of modern existence that favors movement and autonomy over traditional romantic frameworks.
Category Breakdown
The story focuses on a heterosexual relationship between Olívia and José. There are no queer characters or non-cisgender identities present in the story.
The film challenges traditional domestic roles by highlighting non-committal, transient relationships. Olívia plays a significant role as a fashion executive who navigates global, independent connections.
The film's global setting provides a framework for multiculturalism through international travel. However, there is no confirmed evidence of diverse characters or multi-layered development.
The story prioritizes secular, nomadic lifestyles over traditional Western institutions. It rejects the nuclear family model in favor of a modern, subjective approach to living.
There is no mention of characters with visible or invisible disabilities within the narrative context.
Present on Screen
Limited or Absent
Official Synopsis
Olívia, a fashion executive, and José, a photographer, gets together in Paris, having casual sex and talking a little about relationships. And, in some days, they meet again in another city. And another one. And another... Latitudes is a trip around the world, the love and the poem of living.

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