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All You Need is Crime

Name: All You Need is Crime
Director: Massimiliano Bruno
Released: 2019
Duration: 98 min

Representation Score

3.5/10

Limited

2019

Director

Massimiliano Bruno

Runtime

98 minutes

Average Rating

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New Showbiz Analysis

All You Need is Crime is a genre-driven comedy that prioritizes temporal irony and economic satire over exploring multiple aspects of identity. The plot uses a time-travel device to link modern financial precarity with the historical legacy of the Banda della Magliana. While the film offers a nuanced look at how economic necessity drives anti-social behavior, it remains within traditional comedic structures. The focus is heavily localized to specific Italian social and historical contexts. Ultimately, the film functions as a study of historical romanticism rather than a vehicle for diverse representation, resulting in a narrow demographic scope.

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Category Breakdown

Does All You Need is Crime have LGBTQ+ representation?

Limited

The film does not include any explicit LGBTQ+ characters or themes. There is no evidence of queer identity or a critique of the assumption that everyone is straight or cisgender.

How does All You Need is Crime portray gender?

Fair

The story centers on a trio of male friends navigating economic hardship. This masculine-centric framework focuses on male camaraderie and the 'tough guy' era of historical crime.

How racially and ethnically diverse is All You Need is Crime?

Limited

The narrative focuses on a specific Italian historical context. It appears to prioritize a homogeneous cultural milieu centered on the Banda della Magliana without explicitly blending different racial backgrounds.

How does All You Need is Crime represent religion and culture?

Fair

The film explores the tension between modern economic instability and historical criminal romanticism. It uses crime as a survival mechanism to critique how history is commodified.

Does All You Need is Crime include disability representation?

Minimal

The narrative provides no evidence regarding the inclusion of characters with visible or invisible disabilities.

Present on Screen

Provides a nuanced critique of how modern economic instability interacts with historical criminal legacies.
Uses a clever temporal displacement device to explore the romanticization of past crime through modern tourism.

Limited or Absent

The narrative relies on a traditional masculine-centric framework with limited gender diversity.
The focus on a specific historical Italian milieu lacks explicit blending of different racial backgrounds.
There is a notable absence of LGBTQ+ representation or themes of non-straight or non-cisgender identity.

Official Synopsis

In the present day, three friends to make ends meet invent a "criminal tour" for the places which were scenes of the Banda della Magliana criminal acts, even with vintage clothes. Suddenly they are catapulted in the 1982, during the Spain World Cup, facing the real Banda della Magliana, which at that time had the control over illegal bets.

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