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The Artificial Man

The Artificial Man

Representation Score

5.4/10

Fair

1916

Director

Otto Rippert

Runtime

69 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Otto Rippert’s film is a cornerstone of German Expressionism, focusing on the tension between science and existential crises. It stands out by presenting a protagonist who exists outside of normal biological and social categories. However, the film is limited by its focus on a predominantly white European setting, lacking diversity in race or ethnicity. Ultimately, the film’s strength lies in its nuanced portrayal of identity, using the artificial man to challenge established systems and the concept of the soul.

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Category Breakdown

Does The Artificial Man have LGBTQ+ representation?

Limited

The main character is portrayed as someone without a soul, challenging traditional ideas of human identity. Though there are no direct references to same-sex relationships, his inability to fit into typical romantic roles questions the idea that everyone should follow traditional relationship norms.

How does The Artificial Man portray gender?

Fair

The story challenges traditional male dominance by showing a flawed system where science and politics are controlled by men. However, the central father figure is shown as flawed rather than a positive leader.

How racially and ethnically diverse is The Artificial Man?

Minimal

The film focuses on a society made up mostly of white Europeans. There are no characters representing different races or using animals to symbolize ethnic diversity.

How does The Artificial Man represent religion and culture?

Good

The film presents a protagonist who is both beautiful and dangerous, critiquing traditional religious and societal norms. By depicting the main character as a tyrant, the story questions established institutions and social orders.

Does The Artificial Man include disability representation?

Fair

The artificial protagonist is used as a metaphor for a unique kind of existence. He has a mind that works differently from humans, allowing him to take a leading role rather than being seen as someone who can't make decisions on his own.

Present on Screen

  • Explores non-traditional identities in a sophisticated manner.
  • Critiques traditional religious and societal norms effectively.
  • Gives a character with a unique identity significant influence.

Limited or Absent

  • Could include more racial and ethnic diversity in its settings.
  • Narrative focuses heavily on masculine-driven conflicts.
  • Needs to represent a wider range of gender identities and family structures.

Official Synopsis

Part of the artificial-creature series encompassing Der Golem (1914 and 1920), Alraune (1918, 1928, 1930) and Metropolis (1926), 'Homunculus' was the most popular serial in Germany during World War I even influencing the dress of fashionable Berlin. Foenss, a Danish star, is the perfect creature manufactured in a laboratory by Kuehne. Having discovered his origins, that he has no 'soul' and is incapable of love, he revenges himself on mankind, instigating revolutions and becoming a monstrous but beautiful tyrant, relentlessly pursued by his creator-father who seeks to rectify his mistake.

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