
Plastered in Paris
1966

Representation Score
Limited
1968
GDirector
Gerry Chiniquy
Runtime
6 minutes
Average Rating
No ratings yetNew Showbiz Analysis
La Feet's Defeat is a product of its time, emphasizing slapstick comedy and physical humor over social complexity. The narrative relies on established hierarchies and traditional character types common in 1960s animation. The film's lack of diversity stems from its focus on a singular, male-driven pursuit. With a limited cast and no varied character backgrounds, the work remains confined to conventional, narrow storytelling clichés. Ultimately, the short serves as a typical episodic comedy, offering little in the way of diverse representation or challenging social norms.
Category Breakdown
The film does not include any LGBTQ+ characters or stories about non-assuming gender matches what was assigned at birth identities. The plot revolves around a traditional pursuit-based comedic structure.
The story focuses on a male-dominated hierarchy featuring a Commissioner, Inspector, and Sergeant. Female characters have little to no ability to act or presence in the narrative.
The narrative does not provide any specific information about the racial or ethnic composition of the cast. There are no visible non-white characters.
The film follows standard mid-century animation clichés and genre conventions. It does not contain any secularist, anti-Western, or anti-capitalist themes.
There are no characters with visible or invisible disabilities depicted in the film.
Present on Screen
Limited or Absent
Official Synopsis
The Surete Commissioner assigns Inspector Clouseau and Sergeant Deux-Deux to the hazardous task of pursuing a criminal named Muddy La Feet, who leaves behind a trail of muddy footprints that lead Clouseau and Deux-Deux through a mine field and to a castle surrounded by an alligator-filled moat and sealed by an electrified door. NOTE: Sgt. Deux-Deux's last appearance, this time voiced by Don Messick.

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