
Kids Are Back
2021

1999
Director
Pascal Thomas
Runtime
118 minutes
Average Rating
No ratings yetSynopsis
Pierrette is a woman who describes herself as having "opted for the temporary on a permanent basis." After 15 years of living the good life in Switzerland, Pierrette one day packs her bags full of fashionable outfits and returns to her native Paris with no idea of what she'll do. Pierette, however, leads a charmed life; while her son is forced to work the graveyard shift at a factory due to poor job prospects, she's able to find a job right away at a high school. Pierrette soon reintroduces herself to her 23-year-old daughter and one-time best friend, trying to use her charm to skate over years of neglect. She just as suddenly finds a new beau, Ackerman, and starts helping him out with his antique business. However, what would seem like a simple matter -- buying a clock from an elderly woman -- soon turns out to be very complicated and fraught with consequence.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film follows traditional romantic structures. There is no evidence of non-cisnormative gender identities or same-sex intimacy within the narrative.
Gender Representation
The story centers on Pierrette’s agency and her navigation of social landscapes. While it prioritizes a female perspective, the plot remains rooted in conventional romantic pursuits.
Racial & Ethnic Diversity
The setting depicts a predominantly homogeneous, middle-class French environment. There is no evidence of diverse ethnic backgrounds within the primary cast.
Religious & Cultural Diversity
The narrative observes social manners and mobility without critiquing Western institutions. It lacks religious or political friction, adhering to conventional social structures.
Disability Representation
There are no visible or invisible disabilities portrayed as central to the character arcs or the plot progression.
Strengths
Areas for Improvement
AI Analysis
La Dilettante is a character-driven comedy that prioritizes lighthearted social observation over progressive subversion. It succeeds in centering a female protagonist, granting her a degree of social agency that disrupts typical male-centric genre tropes. However, the film operates within a very narrow demographic scope. The narrative relies on conventional romantic tropes and traditional social hierarchies, offering little intersectional complexity or intentionality regarding queer visibility. Ultimately, the film reflects the specific socioeconomic and demographic norms of its setting without attempting to expand the cultural spectrum or challenge systemic norms.

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