Five Came Back
2017
No user ratings available yet
Representation score: 3.5 out of 10
You are here:
John Ford Goes to War
Representation Score
2.8/10
Limited
2002
TV-PGDirector
Tom Thurman
Runtime
56 minutes
Average Rating
No ratings yetNew Showbiz Analysis
John Ford Goes to War serves as a scholarly look back at the construction of cinematic myths and how certain identities were historically framed. Its strength lies in its post-colonial critique of the Western genre and Native American representation. However, the film is limited by its focus on mid-20th-century patriarchal and nationalist themes, offering little in the way of modern inclusive representation or gender subversion.
Category Breakdown
Does John Ford Goes to War have LGBTQ+ representation?
The documentary does not include any LGBTQ+ characters or stories. It focuses on mid-20th-century masculine figures without exploring non-traditional gender identities.
How does John Ford Goes to War portray gender?
The film looks at traditional gender roles, such as the strong male lead and the domestic woman. It highlights these roles without challenging them.
How racially and ethnically diverse is John Ford Goes to War?
The film offers meaningful insights into racial dynamics by examining Native American portrayals and the myth of the frontier. It uses post-colonial perspectives to critique the historical construction of the American landscape.
How does John Ford Goes to War represent religion and culture?
The narrative breaks down the 'Western myth' and traditional American symbols. However, it stays focused on themes of patriotism, heroism, and national service.
Does John Ford Goes to War include disability representation?
The film does not show any physical or neurological disabilities.
Present on Screen
- Engages with post-colonial critiques of the Western genre.
- Analyzes the historical construction of American myths and iconography.
- Examines meaningful portrayals of Native Americans in Ford's work.
Limited or Absent
- Lacks representation of LGBTQ+ identities or non-traditional gender narratives.
- Does not challenge traditional patriarchal or gendered archetypes.
- Provides no coverage of disability representation.
Official Synopsis
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."
Where to Watch
Find another title
Type to search for movies. Use arrow keys to navigate suggestions, Enter to select or search, Escape to close.
Similar Movies
The Untold History Of The United States
2012
No user ratings available yet
Representation score: 8.2 out of 10
Torpedo Squadron
1942
No user ratings available yet
Representation score: 0.3 out of 10
Warner at War
2008
No user ratings available yet
Representation score: 0.8 out of 10
Projections of America
2015
No user ratings available yet
Representation score: 5.0 out of 10
The Last Bomb
1945
No user ratings available yet
Representation score: 0.3 out of 10
Robert Capa: In Love and War
2003
No user ratings available yet
Representation score: 3.0 out of 10
The Battle of Midway
1942
No user ratings available yet
Representation score: 0.2 out of 10
Rate this Movie
Reviews
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.