The film lacks evidence of LGBTQ+ characters or narratives. It follows a conventional structure focused on supernatural interactions rather than exploring non-heteronormative identities.

The story centers on a male amateur painter and his professional journey. It does not show clear evidence of subverting traditional gender roles or deconstructing masculinity.

The production achieves high marks by centering an Indonesian cast and local cultural contexts. It avoids Western norms by prioritizing indigenous spiritual perspectives and regional agency.

The narrative engages with local spiritual beliefs and non-Western metaphysical frameworks. It explores connections between the living and spiritual worlds through localized, subjective spiritualism.

There is no evidence of characters with disabilities possessing central agency. The protagonist's supernatural sight functions as a genre trope rather than a representation of disability.