
My Mexican Bretzel
2020

Representation Score
Good
2016
Director
Güldem Durmaz
Average Rating
No ratings yetNew Showbiz Analysis
Kazarken: As We Dig is a poetic documentary that deconstructs official histories by blending personal memory with collective Anatolian heritage. It moves away from mainstream commercial structures to favor subjective, non-linear storytelling. The film excels in racial and cultural representation, centering non-Western perspectives and indigenous histories. By focusing on the Euphrates region and ancient rites, it effectively challenges Western-centric historical narratives. However, it lacks explicit representation of LGBTQ+ identities or disability issues.
Category Breakdown
The film uses a non-linear, dream-like structure that hints at a departure from conventional realities. Though it doesn't explicitly identify characters' sexualities or genders, its fluid approach to time and space aligns with queer storytelling methods.
A female protagonist drives the narrative through her exploration of Anatolian healing practices. This focus on her subjective experience challenges traditional patriarchal structures and gives her significant influence over the story.
The film centers around a woman of Turkish descent, set within the cultural geography of the Euphrates region. It successfully highlights non-Anglo-Saxon heritage by incorporating ancient Anatolian and Roman historical elements.
By emphasizing mythological frameworks and ancient rituals, the film challenges Western rationalism. It explores the struggle against oblivion and the violence of hidden histories through a spiritual lens.
There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities in this work.
Present on Screen
Limited or Absent
Official Synopsis
A woman of Turkish ascent, following ancient Anatolian healing rites, dreams her way through fragments of memory, both personal and collective. Guided by a mythological character, Kheiron the Centaur, she travels freely between the ruins of an ancient Roman hospital and the streets of a mountain village, high above the river Euphrates. Time and space become dislocated, opening up passages between worlds. An inner experience translated into a film poem, KAZARKEN explores memory as a place of struggle against oblivion and the violence of hidden history.

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