The film operates within a non-human, surrealist framework. It lacks any depictions of gender identity, sexual orientation, or interpersonal romantic dynamics.

Characters are represented through inanimate objects, clay, and surrealist figures. Consequently, the film does not engage with gendered hierarchies or traditional masculinity and femininity.

The setting is abstract and non-specific. Because characters are represented through surrealist animation rather than human actors, the narrative avoids racial or ethnic identity politics.

The film disrupts Western frameworks by prioritizing moral relativism. It critiques structured, rational society by framing madness as a fundamental, chaotic state of being.

The narrative serves as a meditation on neurodivergence and mental instability. However, these depictions are metaphorical and surrealist rather than grounded in lived experience.