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In the Name of the King III

Name: In the Name of the King III
Director: Uwe Boll
Released: 2014
Duration: 85 min

Representation Score

1.8/10

Minimal

2014

Director

Uwe Boll

Runtime

85 minutes

Average Rating

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New Showbiz Analysis

In the Name of the King III functions as a conventional action-adventure film that prioritizes genre clichés over social nuance. The narrative is built around a singular male protagonist, which limits the scope of character diversity and active roles. The film adheres to traditional Western storytelling frameworks, focusing on individualistic survival and combat. This approach results in a lack of depth in representing various backgrounds and identities. Ultimately, the production leans into established archetypes, offering little in the way of progressive narrative design or cultural subversion.

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Category Breakdown

Does In the Name of the King III have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or non-cisgender identities. The narrative follows a traditional action-adventure format without addressing assumptions about straight relationships.

How does In the Name of the King III portray gender?

Limited

The story centers on a male contract killer, relying heavily on traditional masculine archetypes. There is no evidence of women taking a leading role or challenging gender hierarchies.

How racially and ethnically diverse is In the Name of the King III?

Limited

The plot focuses on an American protagonist and a Bulgarian setting. It appears to follow conventional Western casting patterns without significant demographic blending.

How does In the Name of the King III represent religion and culture?

Limited

The film utilizes standard hero's journey clichés rather than engaging with systemic critiques. It prioritizes individual survival over complex cultural or institutional commentary.

Does In the Name of the King III include disability representation?

Minimal

There is no information available regarding characters with visible or invisible disabilities. No representation in this category is present.

Present on Screen

The film utilizes a clear, high-stakes hero's journey framework.

Limited or Absent

The narrative lacks diverse character identities and depth in representing multiple backgrounds.
The story relies heavily on traditional masculine archetypes and Western casting patterns.
There is a notable absence of LGBTQ+ or disability representation.

Official Synopsis

Hazen Kaine, an American contract killer living in Sofia, Bulgaria, gets more than he bargains for when he enters into a contract with the mob. One last job before he gets out and starts a new life for himself. The targets: the three children of royal billionaire Andon Dupont. Seems simple enough, or so he thought. Hazen apprehends the children, and before he can blink an eye, a simple necklace worn by one of the children sends his life spiraling back to medieval times. Now completely out of his element, Hazen fights for his life as he tries to escape a medieval army and a fierce fire-breathing dragon.

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