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Pretty Women Walking Through the City

Name: Pretty Women Walking Through the City
Director: Želimir Žilnik
Released: 1986
Duration: 100 min

Representation Score

6.1/10

Good

1986

Director

Želimir Žilnik

Runtime

100 minutes

Average Rating

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New Showbiz Analysis

Želimir Žilnik’s science fiction film uses a dystopian Belgrade to explore the tension between individual ability to act and institutional norms. The film’s strength lies in its critique of traditionalism, highlighting the conflict between the old world and a decentralized future. However, it lacks explicit LGBTQ+ representation and does not depict disabled characters. The focus remains on gender and cultural conflicts within a specific Yugoslavian context.

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Category Breakdown

Does Pretty Women Walking Through the City have LGBTQ+ representation?

Fair

The film explores generational and gender conflicts but does not include explicit LGBTQ+ identities or storylines involving non-cisgender characters.

How does Pretty Women Walking Through the City portray gender?

Good

It highlights the tension between female autonomy and patriarchal control by showing young women raised under strict traditional rules by older men. This critique targets rigid gender roles and domestic hierarchies.

How racially and ethnically diverse is Pretty Women Walking Through the City?

Fair

Set in Belgrade, the film delves into the legacy of Yugoslavian heritage. Despite focusing on specific cultural lineages, the dystopian backdrop hints at a fragmented ethnic landscape.

How does Pretty Women Walking Through the City represent religion and culture?

Excellent

The story contrasts ancestral traditions with a declining industrial society, using a deserted city to question the relevance of historical social structures and nationalist ideas.

Does Pretty Women Walking Through the City include disability representation?

Minimal

There are no specific details or visible portrayals of physical or neurodivergent characters in the film.

Present on Screen

Strong critique of patriarchal authority and traditional gender roles.
Effective use of a dystopian setting to deconstruct historical social structures.
Engaging exploration of generational conflict and the decline of established order.

Limited or Absent

Lack of explicit LGBTQ+ representation or queer narratives.
Absence of visible disability representation or neurodivergent characters.
Limited focus on multi-ethnic blending beyond specific Yugoslavian lineages.

Official Synopsis

Belgrade in 2041 is a deserted city that looks like a dump yard. A few old men try to bring up a group of young girls in the old, traditional way of their Yugoslav ancestors.

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