The film lacks explicit markers of sexual orientation or gender identity. While the central premise of accepting an 'othered' family member serves as a potential metaphor for marginalized identities, these themes remain subtextual.

The story centers on a traditional domestic unit. Representation depends on whether female characters exercise agency during the household crisis or if the film maintains conventional gender hierarchies.

There is no evidence of a non-Anglo-Saxon majority or intentional race-bent casting. The film appears to follow conventional casting patterns typical of independent horror from this period.

The narrative prioritizes domestic autonomy by having a family reject societal norms and external authority. This framing positions the 'outsider' family as a unit of resistance against systemic social pressure.

Caring for a zombie serves as a direct allegory for neurodivergence or chronic illness. The decision to integrate the condition into the home explores the agency of those with profound physical alterations.