
Killer Assistant
2016

2023
Director
Josée Dayan
Average Rating
No ratings yetSynopsis
Late 1950s in France. One woman, two men. She, Ève Faugère, a glamorous diva at the peak of her career. The man, her husband, Maurice Faugère, an immense author who made her and propelled her for years to the firmament of the song. And finally the lover, Jean Leprat, her pianist who adores her and burns with passion for her. The atrocious poison of jealousy will consume them to the point of tragedy, the trap of a Machiavellian plot will take them all three. And she, the other one, the so pretty Florence, so fresh. This ambitious young singer, ready to do anything to overthrow the one she admires, is she not also caught in the trap of a diabolical game that is beyond her? Where does the danger come from? Who is orchestrating this fatal merry-go-round engraved in the vinyl of the brand new singles that brings its poisonous message every day? Who will die? Who will survive?
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The story centers on a romantic triangle between a female diva and two men. There is no evidence of same-sex intimacy or non-cisnormative identities.
Gender Representation
Ève Faugère's power is tied to her husband, yet the film explores female competition through Florence. The narrative examines agency through rivalry rather than submissive archetypes.
Racial & Ethnic Diversity
Set in 1950s France, the film likely reflects the era's demographic norms. The cast appears to focus on the European cultural elite of that period.
Religious & Cultural Diversity
The plot prioritizes psychological intrigue and secular fatalism over religious instruction. It depicts marriage as a site of corruption and professional rivalry.
Disability Representation
The narrative contains no mention of characters with visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
Goodbye Vinyle is a period psychological thriller that leans heavily into classical dramatic tropes. It explores the volatility of fame and the destructive nature of jealousy through a central romantic triad. While the film offers a nuanced look at female ambition and professional rivalry, it remains anchored in traditional heteronormative structures. The power dynamics are complex, yet the characters are largely defined by their relationships to one another. The setting and character roles suggest a historical homogeneity typical of mid-century French social strata. This results in a narrative that feels culturally specific to a certain era and demographic.
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