
Hollow
2011

2012
NRDirector
David DeCoteau
Runtime
75 minutes
Average Rating
No ratings yetSynopsis
On an island in the Pacific Northwest, a young woman calls to ancient spirits in order to right the wrongs inflicted on her. For this she summons the mythical beast that has long been rumored to roam the verdant forests. Nearby, a young man readies a cabin for the arrival of his friends. They’ve been coming to this place every year since they were kids, to relax and shape up before the start of a new college year. Only this time, they’re about to meet their worst nightmare.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks any discernible engagement with queer identities or non-cisnormative narratives. It relies on standard horror ensemble archetypes without exploring sexual diversity.
Gender Representation
A female protagonist drives the plot by summoning ancient spirits to right past wrongs. However, she remains within traditional horror tropes where women often serve as catalysts for peril.
Racial & Ethnic Diversity
The ensemble appears to follow conventional genre casting patterns. There is no evidence of intentional diverse casting or non-white representation within the college-aged group.
Religious & Cultural Diversity
Folklore and ancient spirits serve as standard horror plot devices. The film does not offer a meaningful exploration of non-Western belief systems or complex cultural frameworks.
Disability Representation
There is no indication of characters with visible or invisible disabilities. Disability is not utilized as a narrative device in this creature feature.
Strengths
Areas for Improvement
AI Analysis
1313: Bigfoot Island functions as a conventional creature feature that prioritizes genre tropes over intersectional depth. While the female lead possesses a degree of agency through her supernatural connections, the narrative remains tethered to established horror frameworks. The film lacks significant representation across most categories, leaning instead toward homogeneous ensembles and standard archetypes. It does not attempt to subvert systemic hierarchies or provide a critique of social structures. Ultimately, the production focuses on survivalist tension and folklore-driven horror rather than progressive storytelling or diverse character studies.

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