The Call
2020
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Diversity score: 3.8 out of 10
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Bad Match
2017
TV-MADirector
David Chirchirillo
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
An internet-dating playboy's life spirals out of control after meeting a woman online.
Where to Watch
Diversity & Representation
Overall Score
3.4/10
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks visible engagement with LGBTQ+ themes. The narrative focuses on a central protagonist navigating digital dating without addressing non-cisnormative identities.
Gender Representation
The story centers on a male playboy losing control to a female counterpart. This setup potentially disrupts traditional masculine dominance, though it may rely on standard thriller tropes.
Racial & Ethnic Diversity
There is no evidence regarding the racial composition of the cast. The synopsis provides no information on ethnic backgrounds or the use of diverse casting.
Religious & Cultural Diversity
The film operates within a conventional Western framework. It focuses on individualistic pursuits like dating rather than systemic or institutional critiques.
Disability Representation
The narrative lacks any mention of characters with visible or invisible disabilities. The tension remains strictly focused on psychological and social dating conflicts.
Strengths
- The narrative potentially subverts traditional masculine dominance by depicting a male protagonist losing control to a female character.
Areas for Improvement
- The film lacks engagement with LGBTQ+ themes or non-cisnormative identities.
- There is no evidence of racial, ethnic, or disability representation within the story.
- The focus on individualistic pursuits limits the film's potential for cultural or systemic critique.
AI Analysis
Bad Match is a character-driven thriller that prioritizes individual psychological conflict over intersectional or systemic commentary. The plot follows a man's life spiraling out of control after an online encounter, which keeps the scope narrow and personal. While the film offers a potential subversion of gender hierarchies by stripping a male protagonist of his agency, it lacks broader social depth. There is no documented evidence of diverse racial, cultural, or disability representation within the narrative structure. Ultimately, the film functions as a conventional genre piece. It stays within traditional Western frameworks of individualism, offering little in the way of diverse perspectives or social critique.
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