
Search for the Super Battery
2017

2011
PG-13Director
Chris Paine
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
A sequel to 2006's Who Killed the Electric Car?, director Chris Paine once again looks at electric vehicles. Where in the last film electric cars were dismissed as uneconomical and unreliable, and were under multiple attacks from government, the auto industry, and from energy companies who didn't want them to succeed, this film chronicles, in the light of new changes in technology, the world economy, and the auto industry itself, the race - from both major car companies like Ford and Nissan, and from new rising upstarts like Tesla - to bring a practical consumer EV to market.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The documentary maintains a strictly professional, industry-focused lens. It contains no LGBTQ+ characters or narratives addressing non-cisnormative identities.
Gender Representation
The narrative centers on automotive engineering and executive sectors, which are depicted through traditional masculine leadership. It lacks significant platforming for women in leadership roles.
Racial & Ethnic Diversity
The cast of experts and industry leaders appears largely homogeneous. The film reflects the traditional demographic makeup of the mid-2000s automotive corporate structure.
Religious & Cultural Diversity
The film critiques the stability of traditional industrial institutions by framing EV transition as a struggle against entrenched monopolies. It remains grounded in technological progress.
Disability Representation
There is no visible or invisible disability representation integrated into the narrative. Subjects are portrayed primarily through the context of technical agency.
Strengths
Areas for Improvement
AI Analysis
This documentary prioritizes technological and economic progression over social representation. It functions as a specialized industrial chronicle, focusing on the race to bring practical consumer electric vehicles to market. The film successfully challenges the systemic inertia of legacy automotive manufacturing and energy monopolies. However, it does so through the lens of market competition rather than social justice frameworks. Ultimately, the narrative architecture is designed to document a shift in global energy paradigms, leaving identity-based hierarchies largely unexamined.

2017

2001

2013

2011

2017

2021

2019

2014

2011

2012

2015

2007
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.