The film contains no depictions of non-cisnormative identities or same-sex intimacy. The narrative remains strictly within the heteronormative structures of the historical periods shown.

Women carry significant emotional weight, particularly through Marie Antoinette and domestic vignettes. However, their agency is limited by the patriarchal social and political structures of the era.

The anthology focuses on homogeneous European settings like Denmark, France, and Spain. Consequently, the film lacks intentional racial diversity and maintains a Eurocentric lens.

The story is rooted in Western institutions like organized religion and monarchy. These frameworks serve as the primary tools for exploring themes of sin, guilt, and divine consequence.

There is no evidence of characters with physical or invisible disabilities serving as central figures. The film does not engage with neurodivergence or disability.