The film lacks explicit evidence of LGBTQ+ characters or narratives. The focus on a pesantren setting suggests a prioritization of traditional social structures over queer identities.

The story features both male and female agency, with prominent female cast members. However, the massacre trope risks casting women as passive victims within the survival framework.

The film achieves high ethnic specificity by centering Indonesian folklore and local traditions. This localized approach successfully disrupts Western-centric horror hegemony through an Indonesian ensemble.

By centering on a pesantren, the film explores the volatility of communal belief systems. It examines how religious institutions navigate terror and perceived supernatural threats.

There is no documented evidence regarding the inclusion of characters with visible or invisible disabilities in the current narrative.