
Labinak: They Are Amongst Us
2025

Representation Score
Fair
2025
Director
Azhar Kinoi Lubis
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Massacre of the Witches stands out as a culturally grounded horror film that leans heavily into Indonesian folk traditions. By utilizing the concept of dukun santet and a pesantren setting, it provides a localized alternative to standard Western horror clichés. The film's strength lies in its ethnic authenticity and its ability to present a non-Anglo-Saxon perspective. It uses digital folklore to build a world that feels specific and culturally rooted rather than generic. However, the film appears limited in its social breadth. It lacks representation for LGBTQ+ identities and disabilities, and its gender dynamics remain uncertain due to the potential for female characters to serve as mere victims.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or narratives. The focus on a pesantren setting highlights traditional social structures over queer identities.
The story features both male and female characters with significant roles. However, the massacre cliché risks portraying women as passive victims within the survival framework.
The film achieves high ethnic specificity by centering Indonesian folklore and local traditions. This localized approach successfully disrupts Western-centric horror norms through an Indonesian ensemble.
By centering on a pesantren, the film explores the volatility of communal belief systems. It examines how religious institutions navigate terror and supernatural threats.
There is no documented evidence regarding the inclusion of characters with visible or invisible disabilities in the current narrative.
Present on Screen
Limited or Absent
Official Synopsis
As violence erupts over accusations of black magic, a pesantren becomes the center of terror. As teachers and students are killed one by one, Satrio fights to survive and protect his parents—while uncovering the dark force behind the chaos.

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