You are here:

The Kids Are Alright 2

Name: The Kids Are Alright 2
Director: Inés de León
Released: 2022
Duration: 84 min

Representation Score

5.3/10

Fair

2022

Director

Inés de León

Runtime

84 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film shifts focus from male caregivers to female-led dynamics, prioritizing female competence and ability to act in a genre often dominated by male archetypes. This transition moves toward modern social dynamics through female solidarity. While the film successfully disrupts gendered expectations of childcare, it lacks explicit LGBTQ+ or disability representation. Additionally, it does not deeply critique systemic issues related to ethnicity or cultural norms.

Watch this, not that →

Category Breakdown

Does The Kids Are Alright 2 have LGBTQ+ representation?

Fair

The film does not include explicit representations of LGBTQ+ identities or relationships. The focus is on the friendship between Clara and Susana, without any clear queer subtext.

How does The Kids Are Alright 2 portray gender?

Good

The sequel challenges traditional gender hierarchies by emphasizing women's ability to drive the story. Clara and Susana take charge of responsibilities previously held by men, subverting the 'bumbling father' stereotype.

How racially and ethnically diverse is The Kids Are Alright 2?

Fair

As a Spanish-language production, the film moves away from Anglo-centric norms. However, there is no specific evidence showing a blend of different ethnic backgrounds or the subversion of ethnic stereotypes.

How does The Kids Are Alright 2 represent religion and culture?

Fair

The story deconstructs traditional parental roles by highlighting female solidarity. It challenges the idealized depiction of stable parenting through situational social dynamics.

Does The Kids Are Alright 2 include disability representation?

Minimal

There is no evidence of characters with visible or invisible disabilities in the narrative.

Present on Screen

Challenges traditional gender hierarchies by emphasizing women's ability to drive the story and competence.
Replaces the 'bumbling father' cliché with women in leadership roles.
Moves away from Anglo-centric casting through its Spanish-language cultural framework.

Limited or Absent

Lacks explicit representation of LGBTQ+ identities or queer relationships.
Provides no visible evidence of characters with disabilities.
Does not demonstrate deep multi-layered blending or systemic ethnic critique.

Official Synopsis

A year ago, Ricardo and Felipe, in charge of taking the children to a camp, stayed outside the train leaving the children inside. Clara no longer trusts them and this year she decides to take the children personally with the help of her friend Susana. However, now they will be the ones who, as a result of an accident, are separated from the children.

How are these scores produced? →