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Casomai

Name: Casomai
Director: Alessandro D'Alatri
Released: 2002
Duration: 114 min

Representation Score

1.9/10

Minimal

2002

Director

Alessandro D'Alatri

Runtime

114 minutes

Average Rating

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New Showbiz Analysis

Casomai is a traditional period piece that emphasizes historical realism and conventional character types. The story structure upholds the social and gender norms of its time. The film serves as a typical character study set within a historical framework. It does not aim to challenge traditional norms or structures. While it examines the breakdown of military order, it frames this as a result of circumstances rather than a critique of societal systems.

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Category Breakdown

Does Casomai have LGBTQ+ representation?

Minimal

The film adheres to traditional assumptions about straight relationships and gender. There is no indication of LGBTQ themes or challenging established norms.

How does Casomai portray gender?

Limited

The story focuses more on male characters dealing with survival and professional challenges. Women tend to have more traditional, supportive, or domestic roles rather than being primary agents.

How racially and ethnically diverse is Casomai?

Limited

The cast is mainly white, reflecting the historical context of Allied prisoners of war. The film maintains a homogeneous portrayal of the main group.

How does Casomai represent religion and culture?

Fair

The story delves into the psychological impact of wartime captivity. It follows a traditional narrative about family and survival without questioning Western institutions.

Does Casomai include disability representation?

Minimal

There are no prominent portrayals of visible or invisible disabilities. Characters are defined by their military roles and personal conflicts.

Present on Screen

Offers a detailed look at interpersonal dynamics and psychological complexity.
Maintains historical accuracy consistent with the period of Allied prisoners of war.

Limited or Absent

Does not include LGBTQ+ identities or themes.
Reinforces traditional gender hierarchies and roles for women.
Features a homogeneous, predominantly white cast with limited racial diversity.

Official Synopsis

Tommaso meets Stefania. They like each other, they fall in love, they get married. A child is also born. It all started very well, it evolved well, then discreetly, little by little until the crisis. It seemed impossible, yet the love, which seemed really solid, perhaps fell apart, even turning into hatred. Who knows if there is still time to do so. Volo, ex Jena, tries to be a real actor. An appeal test is required.

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