
The Making of 'Jaws'
1995

2007
Runtime
50 minutes
Average Rating
No ratings yetSynopsis
A three-part retrospective with notes from Gibson, Wallace, producers Bruce Davey and Alan Ladd, Jr., unit manager Kevin de la Noy, cinematographer John Toll, and 2nd unit director/stunt coordinator Mic Rodgers. The show looks at the project's development from the Gibson/studio point of view, Gibson's work as director and the challenges of doing "double duty" as an actor, editing and music, sets and locations, logistics, stunts and action scenes, and various other production concerns.
Overall Score
Minimal
Category Breakdown
LGBTQ+ Representation
The documentary focuses entirely on technical and logistical filmmaking aspects. It contains no LGBTQ+ characters or narratives addressing non-heteronormative identities.
Gender Representation
The narrative centers on masculine leadership and the physical demands of production. Contributors reflect a traditional, male-dominated hierarchy of historical filmmaking.
Racial & Ethnic Diversity
The content focuses on recreating a specific Scottish historical era. The primary contributors align with traditional demographic profiles of major studio productions from that era.
Religious & Cultural Diversity
The film celebrates the craft of filmmaking and a specific historical vision. It does not engage in deconstructing Western institutions or promoting secularism.
Disability Representation
There is no indication that the documentary addresses neurodivergence, physical disabilities, or mental health conditions within the crew or production.
Strengths
Areas for Improvement
AI Analysis
This retrospective documentary prioritizes the mechanics of film production over the exploration of intersectional identities. It functions as a technical study of directing, cinematography, and logistics, which naturally centers on the established creative leadership of the era. The content is deeply rooted in the traditional studio system and the construction of a specific historical epic. Consequently, the perspectives shared are largely limited to the professional roles of the technical crew and directors. Because the work focuses on the 'how-to' of filmmaking rather than social commentary, it lacks representation of diverse social identities or the subversion of traditional hierarchies.

1995

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2021

1980

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2001
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