The film lacks significant focus on LGBTQ+ narratives or non-cisnormative identities. The hyper-masculine environment of early-2000s wrestling results in a near-total absence of queer visibility.

Male performers and traditional masculine archetypes dominate the narrative. While the women's division is acknowledged, portrayals adhere to conventional tropes with limited subversion of gender hierarchies.

The roster includes performers of various ethnic backgrounds, such as Sabu and Rob Van Dam. Representation focuses on individual athletic performance rather than deep intersectional exploration.

The documentary excels in depicting anti-establishment and anti-corporate themes. It frames the ECW ethos as a rebellion against the sanitized, commercialized entertainment of larger corporate institutions.

There is no discernible focus on visible or invisible disabilities. The narrative emphasis remains strictly on physical athleticism and the extreme nature of the performers' personas.