New Showbiz

You are here:
And They Call It Summer

And They Call It Summer

2012

NR

Director

Paolo Franchi

Runtime

89 minutes

Average Rating

No ratings yet

Synopsis

Dino and Anna are a couple in their forties. Their relationship is hardly conventional: in fact, it is unconsummated. Dino gets out of it, gratifying himself with prostitutes and swingers. He reaches his nadir when he looks up Anna’s old boyfriends to ask about their sexual relations with her, and even begs them to take her back, as a way to end their relationship. Anna can’t find a way out herself; she can’t bring herself to end this one-of-a-kind, tormented love affair. In the end, Dino’s angst is what makes her feel loved, feel unique. No solution seems to be waiting in the wings.

Where to Watch

Diversity & Representation

Overall Score

5.7/10

Fair


Category Breakdown

LGBTQ+ Representation

Fair

The film explores sexual fluidity and unconventional intimacy rather than rigid heteronormative structures. While it lacks explicit queer character arcs, it presents desire as transient and multifaceted.

Gender Representation

Good

Gender hierarchies are disrupted through a relationship defined by emotional dysfunction. Anna avoids traditional submissiveness, while Dino's masculinity is deconstructed through his inadequacy and lack of sexual agency.

Racial & Ethnic Diversity

Limited

The narrative operates within a culturally homogeneous Mediterranean framework. There is no evidence of a non-white majority cast or significant racial intersectionality in the roles.

Religious & Cultural Diversity

Good

The story rejects the sanctity of marriage and the nuclear family. It prioritizes secular desire and subjective experience over traditional religious or moral frameworks.

Disability Representation

Minimal

The film focuses on psychological angst but lacks specific evidence regarding the portrayal of physical or neurodivergent disabilities.

Strengths

  • Subverts traditional masculinity by portraying the male lead as driven by angst and inadequacy.
  • Challenges gender norms through a complex, non-submissive female protagonist.
  • Explores sexual fluidity and unconventional intimacy beyond rigid heteronormative roles.
  • Rejects traditional social institutions in favor of moral relativism and secular desire.

Areas for Improvement

  • Lacks significant racial and ethnic diversity within its Mediterranean setting.
  • Provides no specific representation of physical or neurodivergent disabilities.
  • Operates within a culturally homogeneous framework that limits intersectional depth.

AI Analysis

Paolo Franchi’s drama succeeds in deconstructing traditional relationship models, offering a nuanced look at psychological instability and the subversion of gendered competence. By focusing on unconsummated love and moral ambiguity, the film moves away from conventional domestic tropes. However, the film remains limited by its lack of racial intersectionality and specific representation of disability. The setting feels culturally homogeneous, which restricts the breadth of its social commentary. Ultimately, the work is a sensory study of human dysfunction that prioritizes emotional complexity over traditional social structures.

How are these scores produced? →

Similar Movies

Movie poster for The Scent of Blood

The Scent of Blood

2004

No user ratings available yet
Diversity score: 5.1 out of 10

Rate this Movie

No rating selected
Use arrow keys to select a rating from 1 to 5 stars
Optional text review, maximum 2000 characters
Tip: Wrap spoilers with ||double pipes|| to hide them
0/2000 characters
You must be signed in to submit a rating

Reviews

No reviews yet. Be the first to share your thoughts on this movie!

Use the rating form above to leave a star rating and optional review.