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Getting Up and Going Home

Getting Up and Going Home

Representation Score

0.6/10

Minimal

1992

PG-13

Director

Steven Schachter

Runtime

92 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Getting Up and Going Home is a character-driven film centered on a middle-aged man's psychological struggles and romantic dilemmas. The narrative adheres to typical 1990s dramatic conventions, emphasizing individual moral quandaries and infidelity. The film lacks depth in representing diverse identities and experiences. It prioritizes a traditional male-centric viewpoint, where women primarily serve as catalysts for the male protagonist's growth rather than as independent actors. Overall, the movie aligns closely with conventional social structures and individualistic storylines, showing limited engagement with broader social critiques or diverse representation.

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Category Breakdown

Does Getting Up and Going Home have LGBTQ+ representation?

Minimal

The film does not include any characters with non-binary gender identities or same-sex relationships. It focuses solely on a heterosexual relationship between the male protagonist and women.

How does Getting Up and Going Home portray gender?

Limited

Three women are present, but they seem to play supporting roles rather than having their own goals and motivations. They appear to influence the male protagonist's journey more than driving their own stories.

How racially and ethnically diverse is Getting Up and Going Home?

Minimal

There is no information available regarding the racial or ethnic composition of the cast. The setting and character backgrounds remain unspecified.

How does Getting Up and Going Home represent religion and culture?

Fair

The storyline revolves around a lawyer dealing with personal ethics and infidelity, suggesting a narrative grounded in traditional, secular values and societal norms.

Does Getting Up and Going Home include disability representation?

Minimal

The synopsis does not mention any characters with physical disabilities, mental health issues, or neurodivergence. There is no indication of characters being driven by disability.

Present on Screen

  • The film includes three female characters, providing some visibility for women in the romantic drama.

Limited or Absent

  • The film does not feature any LGBTQ+ characters or non-binary gender identities.
  • The story relies on traditional gender roles where women mainly act as catalysts for male development.
  • There is no information about the racial, ethnic, or disability backgrounds of the characters.
  • The film focuses on individualistic and established social structures rather than systemic critiques or diverse representation.

Official Synopsis

A middle-aged lawyer struggles to face his inner demons as he finds himself embroiled in affairs with three separate women.

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