
Part-Time Girlfriend
2021

2016
Director
Tahir Jetter
Runtime
80 minutes
Average Rating
No ratings yetSynopsis
Ray Livingston is a relationship-blogging hack (“freelance writer, actually”) responsible for Brooklyn’s infamous blog, “Occasionally Dating Black Women.” The well-written, if not controversial, blog has generated some notoriety, but Ray is chafing from an overextended stay in New York, romantic ennui, and a stagnating writing career. After a particularly crappy week, he goes off on a tirade and harasses a gorgeous random passerby, only to discover that it’s Rochelle Marseille, one of New York’s up-and-coming authors. Moving to make amends in an effort to preserve his media clout, Ray is stunned when Rochelle gives him more than he ever thought she would.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The story centers on heterosexual romantic dynamics between Ray and Rochelle. There is no explicit evidence of queer identities or non-cisnormative subtext within the narrative framework.
Gender Representation
Rochelle Marseille is portrayed as a competent, up-and-coming author with significant agency. This shifts power away from traditional masculine dominance toward a more nuanced, character-driven negotiation.
Racial & Ethnic Diversity
Race is a central element, highlighted by the protagonist's blog regarding Black women. The film moves away from Anglo-centric storytelling to focus on Black identity and dating nuances.
Religious & Cultural Diversity
The film critiques modern digital institutions and the performative nature of social reputation. It explores the ethical failings of a protagonist navigating media clout and systemic career pressures.
Disability Representation
No visible or invisible disabilities are depicted or central to the character arcs in this narrative.
Strengths
Areas for Improvement
AI Analysis
The film distinguishes itself by making race an inescapable part of the social landscape rather than a background detail. By centering the plot on a blog about dating Black women, it engages directly with identity and media consumption. However, the film remains tethered to standard romantic comedy conventions. It lacks LGBTQ+ representation and does not feature characters with disabilities, limiting its scope of inclusivity. Ultimately, the work succeeds in disrupting traditional gender hierarchies and racial tropes, even while operating within a conventional genre structure.

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