
Harrigan
2013

2011
Director
Reg Traviss
Runtime
110 minutes
Average Rating
No ratings yetSynopsis
The film is a semi-biographical story based on the experiences of former prison guard Ronnie Thompson who spent seven years working in some of the UK's most dangerous prisons. Based on Thompson's book of the same name, the project stars James D'Arcy (Master & Commander), Noel Clarke (Kidulthood), Frank Harper (The Football Factory), Jamie Foreman (Layer Cake), Andrew Shim (This Is England) and Kate Magowan (Stardust). The story revolves around former soldier Sam Norwood who takes a job as a prison officer when he returns from Iraq and becomes exposed to the underworld of prison culture - including corrupt guards and drug trafficking.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on hyper-masculine environments within the UK prison system and military life. There are no LGBTQ+ characters or narratives that critique heteronormativity.
Gender Representation
Narrative agency is concentrated among male protagonists navigating institutional corruption. While female characters appear, the story reinforces traditional masculine archetypes of soldiers and officers.
Racial & Ethnic Diversity
The casting of Noel Clarke introduces racial complexity to the ensemble. The UK prison setting provides a multi-ethnic backdrop, though the film lacks intentional exploration of intersectionality.
Religious & Cultural Diversity
The story operates within traditional institutional conflicts rather than ideological drivers like secularism. It focuses on survival and corruption within established Western structures.
Disability Representation
There is no discernible focus on neurodivergence, physical disabilities, or mental health. Characters are defined by their professional roles and criminal involvement.
Strengths
Areas for Improvement
AI Analysis
Screwed is a gritty crime drama that prioritizes genre tropes over progressive identity politics. The narrative is built around the visceral realities of prison culture and military transition, which naturally leans into traditional power dynamics. While the film benefits from a multi-ethnic setting and diverse casting, it remains tethered to conventional masculine archetypes. It functions as a social realism piece rather than a vehicle for subverting social hierarchies. Ultimately, the film lacks representation for LGBTQ+ identities and disability, focusing instead on the high-stakes tension of institutional corruption.
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