
Monkey Up
2016

Representation Score
Limited
2014
Not RatedDirector
Justin G. Dyck
Runtime
83 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Monkey in the Middle operates within the established conventions of the family comedy genre. The narrative centers on adolescent discovery and moral binaries like good versus greed. While the film includes diverse character naming through Malick, it lacks multi-layered depth and adheres to traditional storytelling structures. The social dynamics and character roles follow standard Western demographic norms. Ultimately, the film does not aim to disrupt social or cultural hierarchies, functioning as a safe, conventional piece of family media.
Category Breakdown
The film follows a traditional coming-of-age storyline focused on Chris's interest in his neighbor, Mara, without addressing non-cisgender identities.
Chris drives the plot as the main character within a typical protagonist model. Mara acts as a key companion and social catalyst, following traditional gender roles and dynamics.
The inclusion of a character named Malick suggests some racial diversity. However, the broader community's makeup remains unspecified beyond this single identifier.
The story adheres to a traditional moral framework centered on friendship and animal protection, emphasizing childhood innocence without complex systemic critiques.
There is no mention of visible or invisible disabilities among the main cast or supporting characters.
Present on Screen
Limited or Absent
Official Synopsis
Chris has just moved to the East Coast, and already his workaholic father is encouraging him to make new friends. Luckily football (soccer) practice is starting up, and Chris meets a few kids on the team-including his cute neighbor Mara. When Mara invites Chris to help liberate some mistreated animals from the local fair, Chris accepts. They head to the fair that night, but get busted by ringleader Malick, who chases them off the grounds. It isn't until the next morning that Chris realizes Momo, a lovable little monkey, stowed away in his backpack. Not wanting to send Momo back to Malick's greedy clutches, Chris must find a way to keep him out of sight. But handling a monkey does have its perks: Mara is spending a lot of time with Chris, and Momo is even lending Chris a paw on the football field. Chris' summer is bound to have a lot of monkey business, but is it enough to drive him bananas?

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