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I Used to Go Here

Name: I Used to Go Here
Director: Kris Rey
Released: 2020
Duration: 87 min

Representation Score

5.3/10

Fair

2020

Not Rated

Director

Kris Rey

Runtime

87 minutes

Average Rating

No ratings yet

New Showbiz Analysis

I Used to Go Here is a character study centered on the pursuit of status and social performance. While it offers a sophisticated critique of identity, it lacks depth in representing diverse lived experiences. The narrative prioritizes the protagonist's ego over broader demographic engagement. The film provides a nuanced, cynical look at female social hierarchies and toxic competition. However, this focus on social maneuvering comes at the expense of representing diverse lived experiences. Ultimately, the film remains within a narrow social lens, exploring the superficiality of the self in a digital age but failing to engage with systemic or diverse cultural perspectives.

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Category Breakdown

Does I Used to Go Here have LGBTQ+ representation?

Limited

The film focuses on traditional romantic relationships and social hierarchies, lacking significant roles for LGBTQ+ characters.

How does I Used to Go Here portray gender?

Fair

The narrative critically examines female social hierarchies and toxic competition, portraying women's ability to drive the story through complex social interactions.

How racially and ethnically diverse is I Used to Go Here?

Limited

The cast and setting are relatively homogeneous, with the plot prioritizing popularity and status over racial or ethnic dynamics.

How does I Used to Go Here represent religion and culture?

Fair

The story explores the performative nature of identity in a postmodern context, showing a breakdown of social norms as characters prioritize personal ego.

Does I Used to Go Here include disability representation?

Minimal

The film does not focus on physical, neurodivergent, or mental health disabilities, framing character struggles through social psychology rather than lived experiences.

Present on Screen

Provides a nuanced, cynical deconstruction of female social hierarchies.
Offers a sophisticated critique of the performative nature of identity.

Limited or Absent

Lacks significant representation of LGBTQ+ identities or non-traditional social dynamics.
Fails to incorporate diverse racial, ethnic, or perspectives that reflect multiple aspects of identity within the central cast.
Does not address physical, neurodivergent, or mental health disabilities within the narrative.

Official Synopsis

Following the lackluster launch of her debut novel, 35-year-old writer Kate Conklin receives an invitation from her former professor and old crush to speak at her alma mater. With her book tour canceled and her ego deflated, Kate takes the trip, hoping it will give her the morale boost she sorely needs. Instead, she falls into a comical regression—from misadventures with eccentric 20-year-olds to feelings of jealousy toward her former professor’s new favorite student.

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