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The Objects of Love

Name: The Objects of Love
Director: Adrián Silvestre
Released: 2016
Duration: 115 min

Representation Score

6.3/10

Good

2016

Director

Adrián Silvestre

Runtime

115 minutes

Average Rating

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New Showbiz Analysis

The film excels as a work of social realism by focusing on the immigrant experience and deconstructing the myth of easy social mobility in Europe. It moves away from Western-centric clichés to highlight the struggles of the Latin American diaspora. While the film provides strong representation of class and ethnicity, it lacks explicit details regarding LGBTQ+ identities or disability. The narrative's strength lies in its focus on a underrepresented woman reclaiming her identity against an indifferent social framework.

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Category Breakdown

Does The Objects of Love have LGBTQ+ representation?

Fair

Fran serves as a catalyst for breaking traditional social norms. Although her sexual orientation is not explicitly mentioned, she promotes non-conformity.

How does The Objects of Love portray gender?

Good

Luz's journey highlights her personal growth and independence. The story emphasizes her individual autonomy rather than traditional domestic roles.

How racially and ethnically diverse is The Objects of Love?

Good

The film centers on a Colombian immigrant and explores the intersection of ethnicity and class within European labor structures.

How does The Objects of Love represent religion and culture?

Good

The narrative critiques the 'European dream' as a misleading promise. It focuses on the subjective, often destabilizing experience of migration.

Does The Objects of Love include disability representation?

Minimal

There is no evidence of characters dealing with physical, neurodivergent, or mental health disabilities in the narrative.

Present on Screen

Strong focus on the Latin American immigrant experience and diaspora.
Challenges traditional migration clichés by highlighting economic and social hardships.
Emphasizes women's ability to drive the story and personal autonomy over domestic stereotypes.

Limited or Absent

Lack of explicit confirmation regarding LGBTQ+ identities or orientations.
No visible representation of characters with physical or mental disabilities.
Limited depth regarding specific religious or cultural nuances beyond migration.

Official Synopsis

Luz emigrated to Italy in search of a better future. In Colombia she has left his two years son by his family. But her European dream begins to truncate and turn into a series of misfortunes. She assumes her new social status and start from scratch, working in the cleaning sector. Until unexpectedly she meet Fran, a person who breaks all schemes. Luz and Fran decided to own their own lives, with the world ahead, and Rome at their feet.

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