
The Graduates
2009

2009
RDirector
Randy Scooter Lammey
Runtime
94 minutes
Average Rating
No ratings yetSynopsis
With strip poker, keg stands, and hijinks, Scoot Lammey's "Kicking The Dog" reminds us all of that one legendary summer... a movie that captures the raw emotions and hilarious antics of twelve friends as they discover love, laughter, and even some panties! Their playful summer journey is guaranteed to uncover more than they expect...
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit evidence of non-heteronormative identities. While the ensemble format allows for various interpersonal dynamics, there is no documented narrative critique of heteronormativity.
Gender Representation
A gender-balanced ensemble is suggested by the presence of female cast members. However, it remains unclear if the film subverts traditional gender hierarchies or relies on conventional tropes.
Racial & Ethnic Diversity
The cast includes demographic variety, notably through Vedette Lim. There is insufficient evidence to confirm if characters of color possess significant agency within the story.
Religious & Cultural Diversity
The narrative centers on traditional Western social rituals like collegiate partying and reminiscing. It focuses on shared history rather than challenging Western institutions or diverse ideologies.
Disability Representation
There is no information available regarding the inclusion of characters with visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
Kicking the Dog operates as a conventional coming-of-age ensemble comedy. The story focuses on the nostalgia and inevitable dissolution of a group of twelve friends transitioning from college to adulthood. While the cast suggests moderate demographic variety, the film prioritizes traditional social cohesion over the deconstruction of systemic hierarchies. The narrative architecture leans heavily on established coming-of-age tropes rather than intersectional identity politics. Ultimately, the film appears to be a standard exploration of friendship and shared history, lacking specific evidence of progressive representation or identity-based subversion.

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