
Starbucks Unfiltered
2018
No Poster Available
2014
TV-PGDirector
Morgan Spurlock
Runtime
7 minutes
Average Rating
No ratings yetSynopsis
How did the economy get started? Meet Ugg, Glugg and Tugg, three enterprising cave men who accidentally invented trade, marketing and the base elements of the modern market economy. The first film in the WE THE ECONOMY series.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on anthropomorphic characters to explain economic shifts. There is no evidence of non-heteronormative identities being depicted.
Gender Representation
The narrative uses a male-coded lens through characters like Ugg, Glugg, and Tugg. It does not explicitly elevate female agency or subvert gender hierarchies.
Racial & Ethnic Diversity
By using stylized prehistoric archetypes, the film avoids specific racial stereotyping. It opts for an abstract, universalized representation of human development.
Religious & Cultural Diversity
The film deconstructs the origins of the modern market economy. It presents capitalist institutions as human constructs rather than inevitable or inherently virtuous systems.
Disability Representation
The narrative does not feature disability, neurodivergence, or physical impairments as central character traits or themes.
Strengths
Areas for Improvement
AI Analysis
Cave-o-nomics serves as a satirical structural critique of economic history. It avoids traditional celebratory narratives of progress, opting instead to examine how trade and marketing were accidentally invented. The film relies on stylized, prehistoric archetypes to explain complex socio-economic concepts. This metaphorical approach allows the work to bypass specific ethnographic pitfalls and racial stereotyping. While the film lacks deep intersectional character studies, it succeeds in using satire to challenge the perceived inevitability of modern capitalist institutions.

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