
Johan Falk: National Target
2009

Representation Score
Limited
2015
Director
Richard Holm
Runtime
103 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Johan Falk: The End is a traditional crime thriller that adheres closely to genre conventions and procedural realism. While it accurately reflects the ethnic diversity of modern Sweden through its casting, it upholds traditional gender roles and institutional hierarchies. The film follows a conventional law enforcement storyline. It does not aim to challenge or deconstruct Western social norms, focusing instead on the personal and professional stakes of law enforcement within a traditional moral framework.
Category Breakdown
The film does not include any LGBTQ+ characters or storylines. It focuses on traditional romantic relationships within a straight-centered family structure.
Women are mainly portrayed in supporting roles within law enforcement or as victims of trafficking. The story centers on a male protagonist and his pursuit of justice through masculine-coded actions.
The cast includes characters from various ethnic backgrounds, reflecting contemporary Swedish demographics. However, characters of color have limited influence on the plot.
The film emphasizes the role of state institutions in maintaining order. It distinguishes between lawful authority and criminal activities, reinforcing the legitimacy of the former.
The film does not significantly address neurodivergence or physical disabilities. Characters with disabilities are shown in standard, non-complex roles within the genre.
Present on Screen
Limited or Absent
Official Synopsis
The unknown, large mafia organization is now showing its true face. The pressure that GSI and John Falk and his family have put on the organization, makes them fight back on all fronts. The rule book is thrown out. But to go after Johan Falk's family and trying to kill his wife could be the biggest mistake the organization has ever made. GSI closes up around Johan's family and the final battle begins ...

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