The film lacks LGBTQ+ characters or narratives that critique heteronormativity. It follows a conventional horror structure that defaults to heteronormative social frameworks.

The narrative centers on a sheriff and his son, reinforcing traditional masculine leadership and patriarchal structures. There is no evidence of female characters possessing high agency.

While the setting involves a pursuit toward Mexico, the focus remains on bank robbers and law enforcement. There is no evidence of a non-white majority cast.

The film adheres to traditional genre conventions of conflict and survival. It does not prioritize secularism or the deconstruction of Western institutions.

There is no evidence of characters with disabilities portrayed with agency. The film does not offer meaningful representation of neurodivergence or chronic illness.