
Among the Living
2014

2014
Director
Greg A. Sager
Runtime
99 minutes
Average Rating
No ratings yetSynopsis
A group of strangers wake up in an abandoned hospital to find themselves stalked by a supernatural force with sinister intentions.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit non-cisnormative identities or narratives that critique heteronormativity. It functions within a survivalist horror framework without visible queer representation.
Gender Representation
The ensemble cast follows standard horror genre conventions. There is no evidence of the film disrupting traditional gender hierarchies or reinforcing specific tropes of vulnerability.
Racial & Ethnic Diversity
The narrative features a group of strangers that lacks evidence of intentional race-bending. It does not showcase high-agency characters of color or challenge Anglo-Saxon centricity.
Religious & Cultural Diversity
The setting focuses on supernatural dread and isolation rather than critiquing Western institutions. The story follows traditional genre expectations without deconstructing social structures.
Disability Representation
There is no indication of neurodivergent characters or individuals with physical disabilities. The film lacks evidence of characters with disabilities exercising meaningful agency.
Strengths
Areas for Improvement
AI Analysis
Kingdom Come operates as a conventional independent horror piece. The narrative architecture focuses on survival and mystery within an abandoned hospital, prioritizing genre tropes over identity-driven storytelling. While the film avoids active derogatory tropes, it lacks the intentionality required to disrupt social hierarchies. The casting and character dynamics appear to follow a baseline level of inclusion typical of low-budget genre cinema. Ultimately, the film does not provide the complex, intersectional representation or the subversion of traditional power dynamics necessary to achieve a higher diversity rating.

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